HO Yue-jin / 靜音車廂與單車搖滾 Resisting in broadcast-free train cars, or intervening with roaming sounds?
Yuejin Ho contemplates on his aural and visual experience in the urban space of Hong Kong and wonders if we should just fall numb to what could be oppressive to our senses. ...
Linda Lai / Simplicity of form, economy of presentation, tenacity of concept – preview notes #1 for FPC’s 1st exhibition
至微的美學經濟／極盡的概念發揮 "Minimum aesthetic economy, maximum conceptual articulation." Linda Lai account for the count-down fortnight to FPC's inauguration exhibition (opening May 22).
Song Zheng / 我該如何讓你明白 L’avventura: Autistic Dialogues
Song Zheng makes sense of Italian director Michelangelo Antonioni's L’avventura [The Adventure 奇遇] (1960 / Italy / 143 min / b&w / 1:78). What is forgiveness? Does it always bring peace?
Jolene Mok / An ‘Aftermath’… after Para/Site brought Vito Acconci and Ai Weiwei to dialogue in Hong Kong
— lenelenejo What if one day you run into renowned contemporary artist Vito Acconci on a random street in the city where you live, what then? Option A: Get on to greet Acconci and introduce yourself. Option B: Follow Acconci until he enters a building or a private place, just like how he followed strangers on the streets […]
YIP Kai-chun / 演唱會大龍鳳 Encore, scripted drama on call
葉啟俊 Yip Kai-chun 談每次看演唱會必然有安歌(encore)部份的不耐煩。 以上年看的 Radio Dept.為例 ...。
YIP Kai-chun /《白色恐懼》的教人不寒而慄：慄在那處？ The cold in the spine in Haneke’s White Ribbon
那全片最後五分鐘，極惡孩童變納粹精英的暗示，便是《白色恐懼》真正讓人不寒而慄之處罷。
5HiNo / 白色恐懼 White Ribbon
5HiNo reviewed Michael Haneke's film White Ribbon (2009/ 144mins/ b+w) to great satisfaction: how the conflict within a tiny village expands and explodes into horror.
s.t. / 聽歌觀影隨寫 Notes on a few music albums
蔡世豪 Choi Sai-ho (S.T.) reviews Ladytron Remix, amazed with its many new moves.
Linda Lai / Transmediascape…advancing experimental convergence, notes on an IWFFIS (2010) 「超媒景」∶單窗影像的匯流堆疊撞擊法（第十二屆首爾國際女性電影節）
Linda Lai reviewed the works in the “Transmediascape” session of the 12th International Women's Film Festival in Seoul (8-15 April 2010): 8 film/video works of varied length and diverse methods, each experimental of its own kind..
