WCH Assemblage #1: Automatism. One step forward. No Waste | 黃竹坑聚疊（一）：不假思索。多走一步。總有點甚麼。
Assemblage at Floating Projects (FP Assemblage) started with two personal stories. Initiation of the Assemblage events are documented here in writing, on 14 July 2015, on the eve of FP1.0’s Grand Opening… (this version: updated May 2022 for D-Normal/V-Essay issue 5)
Longman Luk / Tool-Being (4): Capturing and Presenting Panoramic Images with a consumer-level 360 camera 「工具在，我在」（四）：周視全景的感官世界：篩選與縫合
Part 4 of “tool-being” series, Longman Luk looks inside a 360 panoramic camera for the everyday consumer, to hack its customized functions, and to test its operational limits, which results in his videographic exercise presented at Micro Narratives 2022. A manifesto on his videography follows.
Tate Kwan / Tool-Being (3): Play with ZOOM "errors" -- Video Materiality, Digital Intimacy 「工具在，我在」（三）：遠程關係潛入 ZOOM 的回饋噪聲
In the third of a 4-part series of artists' writings in "Floating Teatime: Art Notes," “tool-being" (Graham Harman, Bruno Latour), Tate Kwan calls our attention to a common defect many have experienced on ZOOM meetings, which she turns into raw material for artistic creativity.
Abby Yuen / Tool-Being (2): Texture? Abstraction? It all began with my semi-analogue synthesiser 「工具在，我在」（二）：抽象、質感，由造聲開始
Second of the “tool-being'” series. What new insights would we have of our experiences if humans and tools/machines are understood as an assemblage, coming into the presence of each other to seek collaborative possibilities? Abby Yuen reveals how her abstract video of foams was the result of a sound machine she made.
Jaron Kuehmstedt / Tool-Being (1): OCTV – Open Circuit Television, interpolating CCTV 「工具在，我在」（一）：「開」路電視打開了甚麼？
Following up on Micro Narratives 2022: the first of the “tool-being” series, featuring Jaron Kuehmstedt's OCTV – Open Circuit Television: a live video installation, which adopts graphic computing Max-MSP, twitch.tv and OBS (Open Broadcaster Studio)...
24 videographers / 29 Micro Narratives: Objectiles of Forms of Living, the "I" at work ｜29個微敘事：「我」，存活的體態步步延伸
On 21 December 2022, 24 videographers from the Micro Narrative Laboratory presented 29 short pieces of videography enacting their presence... Varied voices. Contrasting disposition. A broad range of artistic and media resources… The works will stay on-site at Floating Projects on FOUR parallel screens 24-31 December.
Linda Lai / Emotions, Magic, Tool-being, Assemblage: Performative Videography, Micro Narratives 2022 寫情緒。玩戲法。工具在，我在。聚疊。2022微敘事選輯。抒演性錄像書寫
29 short pieces of videography by 24 young makers enacting their presence, human-tool assemblage, and the making of experiences from fragments of attentive moments ...
Linda Lai / on Kimburley Choi's "A Story of One’s Own" 有關蔡穎儀的《我所知她們的私己事》
*An interactive video archive installed at Floating Projects, 3-19 December 2022. (All videos subtitled in English) *Video Forum, 10 December 2022 (3:30-5:30pm), will feature Kimburley Choi and Fei-pang Wong, hosted by Linda C.H. Lai (conducted in Cantonese).
Wai-leung Lai / 與林建才閒談他的插畫路 And so we chatted, Kin-choi Lam and illustration art
FP writer Wai-leung Lai was there as Kin-choi Lam set up his book launch event at FP, and started to traced his journey as an illustration-artist. 從業餘興趣成為終身志業，由摸索學習到邁步向前。貧瘠的藝術土壤上，一個青年畫家的成長歷程，據點作者黎偉亮用文字素描了一個他認識的林建才和他獨有的故事。
Cher / Action in Love: the making of “How I met your mother” 李祉昕《浪漫史》，為了學習感悟。據點打開門。
While deeply aware of the underlying tensions in all love relationship, fresh graduate Cher believes it’s very worthwhile to preserve and present the blissful moments of a couple, even if just for a moment. Thus started her months-long action research — photography as an event — to act out as a sonder person. 對周遭的人的感悟有多少？李祉昕以行動出發，攝影是牽動關係的探索行動，為了展出，更是為了接觸別人和自學。
