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Elliot Leung / Talking head questions: inductive and interdisciplinary
Olivia Yip / 對《true/本当のこと》(真的) 之感悟 – 生活學習的可能性

Olivia Yip / 對《true/本当のこと》(真的) 之感悟 – 生活學習的可能性

– Yip, Olivia Wai-ka 是夜六月十九,入場前先讀了場刊去閱取最不以為然的了解,謹知道是個以肌肉電感應器貼在表演者身上感應動態而形成的互動劇場就好了,畢竟非常清楚一切只能從現場感受。 由一個黑漆漆的小箱子(小劇院)開始。

Gabbie Chiu / 電影以外 – 高安兄弟系 Other Than the Movies – Coen Series

Gabbie Chiu / 電影以外 – 高安兄弟系 Other Than the Movies – Coen Series

– CHIU Yee-ling 趙綺鈴 高安兄弟的電影好看,可是總不由地注意到他們電影以外的好東西。 〈O Brother, Where Art Thou?〉 Soundtrack 中學時期,逛影碟舖時,隨手拿了張封套漂亮的VCD,因而看了第一齣高安兄弟的電影〈O Brother, Where Art Thou?〉。幽默瘋狂,節奏輕快流暢,營造故事獨特的時空和氣氛亦十分出色。最印象深刻的是電影大碟的歌曲,如 Big Rock Candy Mountain,O Death 及 In the Jailhouse Now等,十年後時至今天仍然位居本人 itune playlist 曲目之首幾十位。 由 T-Bone Burnett 製作的〈O Brother, Where Art Thou?〉電影 Soundtrack 於2002年奪得第44屆 The Grammy Awards Album of the Year。〈O Death〉奪得 Best Male Country Vocal Performance。〈I Am A Man Of Constant Sorrow〉則獲 Best […]

Olivia Yip / The Revolving Cultural Imagery of a New China – a response to the Art HK 2010 新中國新意象?對2010 香港國際藝術展的一些想法

Olivia Yip / The Revolving Cultural Imagery of a New China – a response to the Art HK 2010 新中國新意象?對2010 香港國際藝術展的一些想法

– YIP, Olivia Wai-ka The Art HK has often been a chance for a friends’ reunion of mine every year in late May. It was never a bad idea to gather old friends for an art fair like this and dine at a local hotpot-restaurant with beers afterwards. I did not mean to be critical at […]

Edwin Lo / 存在於空氣與時間中的現在進行式文庫 Archival Records by Cedric Maridet, a review
Kimburley Choi / Walking fields & the critique of flâneuse – preview notes #6 for FPC’s 1st exhibition

Kimburley Choi / Walking fields & the critique of flâneuse – preview notes #6 for FPC’s 1st exhibition

Kimburley Choi's reading of Linda Lai's video tale of cities… Trespassing World Cities 《搖擺過路人》(2005) is a composite of Linda Lai’s tourist-video-style travelogues. Choi proposes the need to inscribe the term "flâneuse" to highlight a gender dimension that "flaneur" may slight.

Linda Lai / Minor histories… the poetic and the discursive / preview notes #5 for FPC’s 1st exhibition

Linda Lai / Minor histories… the poetic and the discursive / preview notes #5 for FPC’s 1st exhibition

  – Linda C.H. Lai Voices Seen, Images Heard (2009), which will be shown for the first time in Hong Kong, tonight at FPC’s inauguration, has been shown in two different festivals in April, 2010. I have been most enlightened by the various ways audience, critics and curators communicated back to me about my work. […]

Jolene Mok / “Pianovel” – learning to learn and how I learned / preview notes #4 for FPC’s 1st exhibition

Jolene Mok / “Pianovel” – learning to learn and how I learned / preview notes #4 for FPC’s 1st exhibition

發表於: 20 May 2010

Jolene Mok What to learn? What not to learn? We have to learn how to learn. What if we don’t want to learn but, still, we have to learn? Do we learn if we don’t want to learn?

CHEUNG Yu-tsz / It’s dinner time — family matters before the dinner table / preview notes #3 for FPC’s 1st exhibition

CHEUNG Yu-tsz / It’s dinner time — family matters before the dinner table / preview notes #3 for FPC’s 1st exhibition

In 喫飯啦 ﹣餐桌前的家, Cheung Yu-tsz searches through his childhood memories. Besides roaming around with her buddy friends, she finds dinner with her family leaving the strongest impressions. ...

Lilian Fu / Remembering, Recollecting, Animating, Enlivening… – preview notes #2 for FPC’s 1st exhibition

Lilian Fu / Remembering, Recollecting, Animating, Enlivening… – preview notes #2 for FPC’s 1st exhibition

"Imagining My Grandmother”  (Lilian Fu / 2010 / video-animation) 記起、回顧、賦形、喚生… To Lilian Fu , in many ways, animation and recollection have strong affinities and may form the most interesting assemblages.

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