In response to ZKM's invitation to speak at their Media Art 21 (MA21) Forum to take place in Hong Kong during the Art Basel period, Linda Lai outlines the reflection on her 25+ years of journeying in tiny steps towards a paradigm of (new) media art that answers HK's local needs as well as bears a future-oriented vision for media art education. 因應德國 Karlsruhe 的新媒藝術中心 ZKM 的邀請,我動筆勾劃了以下的大綱,值此追溯我在過去這二十多年來詢問有關(新)媒體藝術的種種而自行編出的細步,會在它們於巴塞爾藝術節樹起的香港論壇 MA2 分享。
FP Art Engineer Hoi9 (Wong Chun-hoi) reviewed his ever-growing work-in-progress, a generative series that began with turning electricity into artistic raw material. An impulse: undress thickly dressed media art pieces, show the skeleton, open the black box.
黎肖嫻談粵語電影通俗劇的操作,以至吳子昆於「文字機器創作集」第6輯「象裡有象:通電作影」之《全情定位漂浮系統》(2018年9月1日開幕)的媒體分解遊戲 | notes by Linda Lai on melodrama’s nature and Kwan’s treatment in [G]Local Empathy System (opening 1 September 2018, curated by Lai), the first of a 3-exhibition series, “Cinema Expanding: Visualizing the Unseen,” the Writing Machine Collective 6th edition.
Wing Cheuk looks back on her first solo exhibition, “No Sense of Touch” (18 June to 6 July 2016), at the Floating Projects…